Gaga. Just the one word, even without the qualifier, evokes impassioned responses. Genius. Hack. Visionary. Copycat. Goddess.
Personally? I believe she's somewhere in between. (Cue e-mail attacks from the army of little monsters.)
Lady Gaga is, at least today, vitally important to pop music. She makes fans excited about the radio again. She's savvy with her media choices and interviews. She inspires a fervent kind of adoration that's been missing for years. She crafts songs that make you want to, well, just dance. (Gonna be OK!)
"The second you hear Gaga actually sing or play piano, you realize that this is the real deal," says Justin Tranter, lead singer for Semi Precious Weapons, the opening act on the Monster Ball Tour.
"Her work ethic is so amazing, and her relationship with her fans is so amazing. I've learned a lot about that."
Madonna was last in Houston Nov. 16, 2008. Gaga's debut album, The Fame, was only three months old at the time, slowly chugging toward sales of more than 3 million copies.Just Dance, the disc's first single, wouldn't hit No. 1 on the Billboard Hot 100 for another two months.
Those dates are important because, for some, Gaga is the natural successor to Madonna. (Sorry, Britney, Xtina and Rihanna.) Both are fiercely independent, surprisingly clever and adept at dealing with the demands of celebrity. (Not that Madonna is even close to being out of the game.)
"She's special because she's Gaga -- literally," says Leah Knoble, 15, from Pearland. "She's absolutely insane, and I adore her for it. Her costumes are outrageous, her stage antics border on psychotic, and the way she speaks is just odd.
"Every performance is theatrical, like a play in itself. I think she's bringing back the passion for performance that was prominent in the '70s and '80s in acts such as David Bowie, Madonna, Alice Cooper."
That may be the general sentiment from fans, but the flip side is that behind all the face wreaths and fake blood and metal hoop skirts -- the music just isn't as innovative as it aspires to be.
The Fame's parade of hits were standard dance-pop imitations of more established, better singers (Gwen Stefani, Christina Aguilera, Madonna). Last year's Fame Monsteroffered more complex production and songwriting, but it relies heavily on '80s samples and overwrought sentiment. Only Teeth and Beyoncé duet Telephone showcase real personality.
Otherwise, there's nothing happening that hasn't been done for years in gay clubs or overseas by equally deserving vocalists. As a vocalist and a dancer, Gaga is adequate but hardly spectacular. (Cue more little monster e-mails.)
"I really don't find her genuine," says Sam Byrd, 27, from Meyerland. "Everything from her outfits to the shock value seems like a slap in the face of intelligence, like she's pulling the wool over our eyes with the character she's forged instead of relying on the value of her music.
"She's made herself so freakish and outlandish that people can't help but stare and talk about her. All things considered, I think she'll be remembered less for her music and more for her costumes and theatrics."
With so many accessories and outlandish outfits and burning pianos already to her credit, the inevitable question becomes, 'What's next?' How much higher over the top can one Gaga go?
New song You and I, with its Elton John-ish vibe, suggests she might be headed the opposite way. It's a retro piano ballad with rock flourishes and a preview of her next album.
"Music is a lie. It is a lie. Art is a lie. You have to tell a lie that is so wonderful that your fans make it true," Gaga says in this month's Rolling Stone cover story.
"The message of the new music is now more bitter than it was before. Because the sweeter the cake, the more bitter the jelly can be. If I had come out as who I was, no one would be listening. Now people are listening. So I can be inspirational."
For some fans, however, the inspiration happened long ago. And that in itself might end up being Gaga's biggest legacy.
"Gaga creates a space for her fans to be more than what we live our daily lives as," Knoble says. "The love she has for her fans is really quite special, and I'm honored to call myself a little monster."